ROTC TURNS 100: UConn and Military Training, Part Two: The Interwar Years, 1919-1941

At the end of my last post, the Cadet battalion of the Connecticut Agricultural College had made the successful transition to a full-fledged ROTC unit and weathered the trials of the First World War.

The program remained in a state of flux for the first few years following the Armistice. Captain Cranston remained in Storrs less than a year, but between his efforts and those of his successor Captain Benjamin Ferris, the battalion grew to an unprecedented size; a September 1919 edition of the Connecticut Campus stated that enrollment was large enough to form between three and five companies of Cadets. The ROTC band was also reestablished that same November following a brief hiatus during the war.

The training itself also underwent a gradual standardization. By regulation, CAC males completed a mandatory “basic course” in Military Science during their freshman and sophomore years, and then decided whether or not to continue on to the advanced course, which would lead to an officer’s commission following graduation. As members of the advanced course, Cadets were paid a daily stipend during the school year (in 1921, it was 40 cents.) Satisfactory completion of the basic course was a requirement for graduation, regardless of whether or not the student continued his participation past sophomore year. The curriculum amounted to three hours of study and practical exercises per week, and included target practice (both at the lighted indoor range in Hawley Armory and an outdoor range near the New Storrs Cemetery on North Eagleville Road) and instruction on personal hygiene, military organization, and map reading, among other subjects. There was also time allotted in the early morning for drill and ceremony, and overnight campouts and route marches to nearby Coventry and Willimantic were made possible following the issue of individual “pup” tents to the Cadets.

Cadets undergo marksmanship instruction inside Hawley Armory, 1920

Cadets receive marksmanship instruction inside Hawley Armory, 1920.

For all the progress, however, there were issues. Cranston’s sudden departure and the arrival of a new commander at the beginning of the 1919-1920 school year caused some confusion and fostered what one student later called the “disease” of “indifference in the cadet personnel of the battalion.” The turnover rate for Professors of Military Science would remain high; Captain Ferris departed in the fall of 1920, and his successor Captain Boyer spent just two years at Storrs. Moreover, instructions from the War Department necessitated frequent changes to the training schedule, and cadre struggled to maintain a sense of continuity between school years. As a result, few upperclassmen were enticed to move on to the advanced course once their obligation was fulfilled, and morale suffered.

CAC Cadet Battalion, 1924, with Koons Hall and Hawley Armory in the background

CAC Cadet Battalion, 1924, with Koons Hall and Hawley Armory in the background.

It wasn’t until early 1921 that progress began to be made through the establishment of a permanent command structure for the battalion, and the appointing of juniors and seniors as Cadet officers. This organizational change was supported by the arrival of new equipment, including modern Springfield 1903 rifles and one of the new M1918 Browning Automatic Rifles. That fall, a group of returning seniors vowed to continue improvements, stating that “as much college spirit should be shown in the conduct of the battalion as in the conduct of our athletic teams, or any one of our activities.” By 1922, attempts were being made to reestablish traditions like the annual military ball, and the following year it was reported that some twenty juniors would be continuing on to the advanced course.

These changes within ROTC were mirrored by significant transformations to the campus as a whole. The old wooden buildings of the nineteenth-century—many of which had burned down or been demolished by the 1920s—were gradually replaced by the more fireproof red brick structures that are so well known today. A new dining hall, known as the “Beanery” (namesake of the café currently in the Benton Museum), opened in the spring of 1920. Holcomb Hall, a women’s dormitory, was completed in 1922 to replace Grove Cottage, which had been destroyed by fire in 1919, and construction of the William Henry Hall dormitory (the future home of UConn ROTC) was completed in 1927. (Photographs of these and other early campus buildings can be found in our digital collections.)

CAC Student Handbook, 1916 edition

CAC Student Handbook, 1916 edition

Then, as now, Cadet life had its benefits and hardships. A system of demerits for student infractions had been in place on campus for years, as indicated by a 1916 edition of the CAC Handbook. Accumulating too many would result in extra duty on Saturdays. For a time, dormitories were inspected each weekday morning and in the afternoon on Saturday, and failure to keep things in good order resulted in demerits or monetary fines: floor not swept, 10 demerits; paper cans not emptied, fifty cent fine; and so on. There were also regulations which governed everyday activities. Among the more interesting punishments:

Any cadet who plays a musical instrument during class or study hours will be punished by a minimum of 10 demerits. 

Any cadet who practices football or baseball or who throws snowballs, apples, stones, dirt, etc. within 100 feet of a dormitory will be punished by a minimum of 25 demerits.

These rules evidently didn’t stop some Cadets from occasionally letting off steam. Captain Ferris penned a letter to President Beach in 1920 concerning the possession of firearms on campus, complaining that “[the students] are constantly firing from the windows in the dormitories.” Beach subsequently reiterated in a bulletin part of the CAC Student Regulations, which stated that “students are not allowed to keep in their possession firearms of any description other than the service rifle.” The punishment for discharging a firearm on campus? A minimum of 50 demerits.

There was, of course, the requirement to wear a uniform, but by 1923 training was organized in such a way that students were required to do so only one day a week (not including the occasional parade, field exercise, or social function.) The off-campus hikes and campouts were seen not only as training exercises, but as opportunities to escape the tedium of campus life; upon announcing one such excursion in May of 1919, Commandant Cranston noted that he intended “to give the men as good a picnic as is possible without interfering with the instruction which they are to receive,” and extended an invitation to all faculty members wishing to join in on the activities.

Cadets on the machine gun range at Camp Devens, summer 1925

Cadets on the machine gun range at Camp Devens, summer 1925

Even the six-week summer training camp required of advanced course Cadets after their junior year, which might have been seen as arduous by those used to the pace of on-campus training, was far from miserable. Those attending the training in 1924 at Camp Devens, for example, found time for “baseball, swimming, riding, movies and exploring” once work ceased for the day at 3:30pm. The following year, in addition to qualifying on the range with their service rifles, Cadets had the opportunity to conduct familiarization fire with automatic rifles, machine guns, and pistols. A howitzer demonstration had been planned, but was cancelled due to lack of facilities.

For all its ups and downs, military training remained mandatory for male students at CAC, even if it only consisted of a few hours a week for the first two years of their college career. This fact was the cause of considerable debate during the interwar period; many pointed out that under the terms of the Morrill Act, courses in Military Science need only be offered by land-grant colleges, not required. As early as 1926, some CAC students protested the idea of a male student being forced onto the parade field every Friday morning, “prancing around for two hours, laboring under the weight of a baby cannon perched on his shoulder.” In the 1930s, Psychology Professor Florien Heiser claimed that “a large number of students dislike the requirement because it is boring, of little or no educational or physical value, interferes with other work and because of opposition to all war and militarism.”

These sentiments reached a boiling point in 1935. In April of that year, responding to agitation against ROTC at a number of colleges across the nation, the Board of Trustees of the Connecticut State College (the name had again been changed in 1933) passed legislation forbidding public debate over military training on the Storrs campus. Quickly dubbed the “gag rule” by those opposed to it, the act garnered significant criticism from students, faculty, and outside groups. On May 15th, just a few days after a large on-campus protest, Charles McCracken resigned as President of CSC, though he maintained that he had made the decision to leave before the Trustees had issued their ruling. Shortly after, on May 17th, CSC’s Social Problems Club organized an off-campus discussion on the gag rule featuring a guest speaker from Columbia University. This was interrupted by a mob of pro-ROTC supporters, who threatened members of the Social Problems Club and forced another student, who had reportedly spoken against the gag rule, to jump into Swan Lake.

While this marked the end of major protests, tensions remained high throughout the summer of 1935, with the Trustees refusing to rescind the gag rule. It was only after Albert Nels Jorgensen was appointed as CSC President in September that the Board at last felt secure enough in the abilities of the college’s administration to repeal the motion. Jorgensen’s appointment seemed to bring a measure of calm to campus, and his arrival signaled another period of growth for the college. Within the first five years of his administration, no less than four new campus buildings were built using funds from the Federal Works Progress Administration (WPA), including Manchester Hall, a women’s dorm, the F.L. Castleman (Engineering) building, and Wood Hall, a men’s dorm completed in 1940 (now home to the History Department and other offices.)  There was also a fifth and final name change: in 1939, Connecticut State College became the University of Connecticut.[slideshow_deploy id=’6384′]

The calm would not last long, however, as events overseas would soon make themselves felt in Storrs. Beginning in October of 1939, the Connecticut Campus ran a column entitled “History in the Headlines,” in which History Professor Andre Schenker offered commentary on the war which had begun that September in Europe. The following May, as students prepared to leave campus for the summer, Germany invaded France and the Low Countries. By the time they returned in September, nearly all of Western Europe had fallen to the Nazis, and England stood alone. To bolster America’s defenses, FDR signed the Selective Service Act into law on September 16th, and as a result those UConn students 21 years of age and older were required to register for the draft (unless they were seniors enrolled in the advanced ROTC course.) As worrisome as these developments were, America remained neutral, and so for the next year or so it was enough to simply note, in the words of the Connecticut Campus’s editor, “that the average college student stands ready to ‘do his part’.”

On the evening of December 7th, 1941, Professor Schenker was attending a performance in Hartford when an usher approached him with an urgent message. After speaking with him, Schenker immediately set off for radio station WTIC, where he served as a world affairs commentator. Later that night, he began his broadcast with the following words:

“It has happened. Japan has decided to commit suicide by attacking the strongest power on earth, the United States…As you all know by now, this morning in the Far East, which means this afternoon our time, a Japanese force suddenly attacked Manila, in the Philippines, and another force attacked the Gibraltar of the Pacific, our base at Pearl Harbor in the Hawaiian Islands.”

(The complete recording of Professor Schenker’s broadcast can be found here.)

War had at last come to the United States, and to Storrs. Next time, we’ll look at the role played by the men and women of UConn—and the Cadets of its ROTC program—in the deadliest conflict in human history.

 

Sources

*Unless otherwise noted, all sources courtesy of Archives & Special Collections at the Thomas J. Dodd Research Center, University of Connecticut Libraries.

The Connecticut Campus, 1919-1940
Nutmeg (University of Connecticut Yearbook), 1919-1935
University Archive Subject file, “ROTC”
University of Connecticut Photograph Collection, Record Group 1, Series VI, Boxes 93-95
Walter Landauer Collection, Series I, Box 1
Office of the President Records [Charles Lewis Beach, 1908-1928], Box 9

Civil War Diaries and Letters Now Available Digitally

alonzosmithdiaryOn this day, April 12, in 1861, the first shots were fired on Fort Sumter in South Carolina in the Battle of Fort Sumter, effectively beginning the US Civil War.

Students and researchers interested in the experiences of Civil War soldiers and their families can now access the diaries, letters, family papers, and photographs from Archives and Special Collections’ Connecticut Soldiers Collection digitally in the digital repository.    The following collections are currently available:

 

To explore related collections, browse the list of collection guides or contact an archivist for more information.

Cuban Bricolage: The Artists Books of Ediciones Vigia

 

Cuban Bricolage takes place within an exceptional context. Since December 2014 –when U.S. and Cuban Presidents, Barack Obama and Raúl Castro, announced their mutual intentions of reactivating the relationship between the two nations—the general interest in Cuba has unexpectedly increased.  This exhibition, about one of Cuba’s most innovative fine art publishing houses, sheds light on this often misunderstood country.  While showcasing pieces of remarkable aesthetic value, the exhibition also exposes the entire UConn community to a little known aspect of Cuba’s cultural production. –Marisol Ramos

borges72dpi1234_00321-1024x497An exhibition of handcrafted books by members of the world-renowned Ediciones Vigía, an artist collective and publishing house in Cuba, is on display in UConn’s Homer Babbidge Library through May 2, 2016.

Since its creation in 1985 in the city of Matanzas, Ediciones Vigía has been internationally recognized as a unique artist’s collaborative, whose work is produced in limited editions and housed in private and public libraries, such as the British National Library, the Museum of Modern Art (MOMA), the Library of Congress, and universities throughout the world. Ediciones Vigía’s catalog encompasses works by authors such as Baudelaire, Emily Dickinson, Pasternak, Tolstoy, Tagore, and Verlaine, Spanish-language authors such as Borges, Federico García Lorca, and Gabriela Mistral, and renowned Cuban writers such as José Martí, Lezama Lima, and Nancy Morejón.

According to the exhibition co-curator Marisol Ramos, Latin American & Caribbean Studies, Latino Studies, Spanish & Anthropology Librarian at the University, “each entirely handmade volume is a genuine piece of art, as well as a powerful testimony of struggle and artistic survival and sustainability, showing its creators’ ‘advocacy of the aesthetics of the poor, of what’s ugly, and inexpensive’, as Ediciones Vigía’s co-founder and chief designer, Rolando Estévez said in a recent online interview.”

Read more…

 

 

ROTC TURNS 100: UConn and Military Training, Part One: The Early Years, 1893-1920

This is the first of a series of blog posts by Nick Hurley, who recently completed his M.A. in History at UConn and now works as Research Services Assistant here at Archives & Special Collections.

How time flies!

Since its founding in 1916, the Reserve Officers’ Training Corps (better known as ROTC) has become a fixture on many U.S. college campuses, and UConn is no exception. More than two hundred Huskies are currently serving as Cadets in either the Nathan Hale Battalion, the Army’s only ROTC unit in Connecticut, or Air Force ROTC Detachment 115, “Snake Eyes Five”.

I spent four years in the Nathan Hale Battalion, from 2009-2013, reaching the rank of Cadet Captain and eventually commissioning as a Field Artillery officer. Given my personal connection to UConn and the military (not to mention my love of all things history), I thought it would be appropriate, especially because ROTC is turning 100 this year, to examine the long and fascinating story of military training at UConn.

Cadets conducting a "mock battle" on campus, WWI era.

Cadets conducting a “mock battle” on campus, WWI era.

To do so, there was no better starting point than the holdings here at Archives and Special Collections. Series VI of the University of Connecticut Photograph Collection contains three boxes of photographic prints which document all aspects of Cadet life from the early 1900’s to the present, including training exercises, social events, and inspections. There are also numerous portraits of Cadets, Instructors, the Cadet Band, and the Color Guard. A small number of these photographs have been uploaded to our digital repository. Physical artifacts are contained in the UConn Memorabilia Collection, including a dress uniform jacket from the late 1930’s and a unit patch dated 1918, and general administrative files from both Army and Air Force ROTC can be found in the UConn Office of Public Information (OPI) Records.

CAC Cadet Band, circa 1907. Note the blue uniforms and collar insignia marked “C.A.C”. These would be replaced by Army green uniforms and ROTC insignia beginning in 1917.

Though this year marks the centenary of ROTC, UConn’s affiliation with military training in general dates back to 1893, when the Storrs Agricultural School was renamed the Storrs Agricultural College. Along with the name change came the conferral of land-grant status to the university. Under the terms of the Morrill Act of 1862, land-grant colleges received federal land and assistance in return for offering academic programs in agriculture, engineering, and military tactics. The administration at Storrs deemed it appropriate to not only offer military classes, but make them mandatory, and thereafter every male student who enrolled at the school received instruction under the direction of a newly-hired Professor of Military Science. This training was not intended to produce commissioned officers, however, and students incurred no military obligation upon graduating from Storrs Agricultural College, which in 1899 became the Connecticut Agricultural College (CAC).

Members of the CAC Cadet Battalion, 1905. The officer in the second row, fourth from left is Lieutenant E. R. Bennett, Commandant of Cadets

Members of the CAC Cadet Battalion, 1905. The officer in the second row, fourth from left is Lieutenant E. R. Bennett, Commandant of Cadets

The roots of what we now know as ROTC can be traced back to the National Defense Act of 1916. Among its other provisions, it provided federal assistance for the establishment of officer training programs at a number of universities. UConn was one such institution, and on November 1st, 1916, War Department Bulletin No. 48 announced the creation of “an Infantry unit of the Senior Division, Reserve Officers’ Training Corps” at Storrs.

The introduction of ROTC brought both change and continuity. Activities like the Cadet Band and Color Guard remained integral components of ROTC life, and drill continued to be held in Hawley

Rifle range, Hawley Armory basement, circa 1920

Rifle range, Hawley Armory basement, circa 1920

Armory, named for SAC graduate Willis Nichols Hawley following his death during the Spanish-American War. Completed in 1915, the facility also housed facilities for athletics, an auditorium, and even a rifle range in the basement. (Today, the armory continues to serve as a supply room and exercise area for UConn Cadets—but, not surprisingly, the rifle range is no more!)

Still, no one could deny that a significant shift in military training at Storrs had occurred. An article in the April 30, 1917 edition of the Connecticut Campus noted that:

A young man now entering the Connecticut Agricultural College, if a citizen of the United States and physically fit, becomes a member of the Reserve Officers’ Training Corps. Without cost he is furnished with rifle, uniform and necessary equipment. For two years he devotes three hours a week to military training under the prescribed course. At the end of the two years, if he so elects, and if he is recommended by the President of the college and the Commandant he may sign an agreement to devote five hours a week to the advanced course in Military Training for the remaining two years of the college course…a graduate of the college who has completed the advance course is eligible for appointment by the President of the United States as Second Lieutenant in the regular army for a period of six months with pay at $100 per month and to a commission in the Officers’ Reserve Corps.

Calisthenics in Hawley Armory, 1920

Calisthenics in Hawley Armory, 1920

There were more visible changes as well; students no longer wore the Cadet blue uniform, exchanging them for Army greens with an olive drab cuff insignia emblazoned with the letters “U.S.” and “R.O.T.C.” In addition, new rifles and other equipment were soon delivered to campus courtesy of the War Department, and Lieutenant Frank R. Sessions arrived in October of 1917 to replace Captain Charles Amory as Commandant. The arrival of Lieutenant Sessions was not a moment too soon. War had been declared that April, and many male students had already left campus for the battlefields of France and Belgium. Of the nearly six hundred CAC students and alumni who would ultimately serve in the Great War, at least seven would not live to see the armistice declared in November of 1918.

Those who remained in Storrs trained with a new sense of purpose and urgency. By the summer of 1918, however, the Cadet contingent at CAC was overshadowed by a new government-initiated program: the Students’ Army Training Corps (SATC). The Corps essentially placed participating universities on a war footing; students and staff alike were inducted into the military, and remained on campus for instruction in trades and skills deemed vital to the war effort. At the completion of such courses, the intent was to assign graduates to officers’ school, regular duty as enlisted men, or further technical training. Some four hundred CAC men had signed up by the time the short-lived program was disbanded in December of 1918. Following a brief lull, ROTC was reinstated the following January with the arrival of Captain Claude E. Cranston as the new Professor of Military Science. By the end of that year, Cadet training had more or less returned to what it had been before the introduction of the SATC.

ROTC Cadets standby for inspection of their encampments and equipment, 1919. Hawley Armory is in the background. Laurel Hall now stands on the site of the parade field

ROTC Cadets standby for inspection of their encampments and equipment, 1919. Hawley Armory and Koons Hall are in the background. Oak Hall now stands on the site of the parade field

Notwithstanding a brief suspension during the First World War, then, ROTC had by 1920 established itself as a fixture on the Storrs campus. The future of the program would be anything but tranquil, however, as the remainder of the twentieth century would prove eventful, both on campus and abroad. In my next post, we’ll look at the debates over compulsory participation in ROTC. Stay tuned!

–Nick Hurley

Looking Back at The Humble Beginnings of UConn Women’s Basketball

By Nick Hurley, Research Services Assistant

Team photo, CAC Women’s Basketball, 1902 Season. Pictured are Coach Steve Crowell and chaperone Mrs. Stimson. Players included Grace Koons and team captain Marjorie Monteith

With March Madness in full swing, and UConn’s top-ranked, undefeated women’s basketball team set to take on Mississippi State tomorrow in Bridgeport, it seems appropriate to share this photograph of their predecessors, who enjoyed similar success during their first season in 1902.

Basketball came to UConn (then known as the Connecticut Agricultural College) in 1901, with the formation of a provisional men’s team under the direction of Athletics Professor T.D. Knowles. After winning their first game against Willimantic High School, a permanent team was organized for the following 1901-02 season. Many female students, according to the school newspaper (The Lookout, predecessor to the Daily Campus), “took enough interest in the boys in the blue and white jerseys to accompany them to Willimantic and to cheer lustily during the entire game,” though they wouldn’t remain on the sidelines for long. By March 1902 The Lookout reported that “there has appeared a new feature in our athletics, a basketball team, made up and well made up from the young ladies of Grove Cottage.”

Under the supervision of Mrs. Stimson (then-President Stimson’s wife), the girls played their first game on March 8th, 1902 against Willimantic High School in the College Hall on campus (presumably the building referred to as “Old Main”, which held administrative offices, classrooms, and the library, along with other meeting and recreation spaces.) The game kicked off at 2:30pm, with the first basket made soon after by Grace Koons—the daughter of CAC’s former president Benjamin Koons, for whom Koons Hall is named. This was followed soon after by another from Marjorie Montheith, daughter of popular professor Henry R. Monteith, the namesake for the Monteith Building. The final score? CAC: 15, WHS: 6.

The team went on to win their second game as well, also against Willimantic, making them undefeated in their first season. Like the men’s team, the experiment had been a success, and the women returned the next year alongside their male counterparts. From these humble beginnings came the powerhouse teams we know today, who have racked up countless NCAA Championship wins and other accolades.

More information on the history of basketball at UConn can be found in the holdings here at Archives & Special Collections. The University of Connecticut Photograph Collection contains numerous images of both teams throughout the years (as well as other sports), and the University of Connecticut, Women’s Basketball Perfect Season Collection includes publications, posters, and memorabilia related to the perfect seasons enjoyed by the Women’s team between 1994 and 2003. A number of basketball-specific images can also be found in our digital repository. 

 

Archives Reveal, Archives Inspire, Archives OPEN

ArchivesOpenFlyerFinalCMYKJoin us for an after-hours Open-House to mark the grand opening of Spring exhibitions in Archives and Special Collections, Thursday, March 10, 4:00 – 6:00 pm in the McDonald Reading Room at the Thomas J. Dodd Research Center.

Archives Reveal, Archives Inspire, Archives Open is a special invitation to explore the new and the rarely-seen assembled and animated by guest curators.  Hear talks and commentary by exhibition curators, browse collection materials first-hand, and catch up on news happening behind the scenes with archivists from UConn’s Archives and Special Collections.  Sponsored by the UConn Libraries and the Office of Undergraduate Research IDEA Grants Program, the event is free and open to the public.  Spring 2016 exhibitions include:

Seeing Comes Before Words: Artists’ Use of the Male Nude

Elizabeth Barbeau (curator)

Inspired by the collection of artist and teacher Roger Crossgrove, and drawing from materials across the Archives’ holdings, this exhibition explores collaboration and the creative process through the lens of the male nude.  Featuring photography, artists’s books, broadsides, and posters from Archives and Special Collections, materials on display emphasize the relationships between (and among) artists and their models, and art and its audiences, and illustrate ways “the male nude” is used in different mediums for a variety of political, social, and cultural purposes.

Woman a Machine: Gender, Automation, and Created Beings

Giorgina S. Paiella (curator)

Featuring a variety of materials sourced from Archives and Special Collections, and archives external to the University of Connecticut, Woman a Machine will explore the intersection of gender and automation from the eighteenth to the twenty-first century. This exhibition will explore the intertwined history of female created beings and human female embodiment, including representations of eighteenth and nineteenth century female android automata, the twentieth-century mechanized housewife, and cyborg imagery in twentieth and twenty-first century visual culture.

#ArchivesReveal

We look forward to seeing you in the Archives!

 

A new semester, and a poem by Marilyn Nelson

 

No work is insignificant. All labor that uplifts humanity has dignity and importance and should be undertaken with painstaking excellence.  – Dr. Martin Luther King, Jr.

 

As classes begin today, we welcome back students, faculty and staff to the University by sharing the words of Dr. Martin Luther King, Jr. and a poem by Marilyn Nelson.

faculty_nelsonBorn in Cleveland, Ohio, the daughter of a Tuskegee Airman, Marilyn Nelson is an accomplished and award-winning poet, children’s book author, and translator of over fourteen books of poetry. A professor emeritus at the University of Connecticut and Connecticut’s poet laureate from 2001 to 2006, Marilyn Nelson has won two Pushcart Prizes, fellowships from the National Endowment for the Arts and the Guggenheim Foundation, and the 2012 Frost Medal from the Poetry Society of America.  In 2013, she was elected as a chancellor of the Academy of American Poets.  Today she is listed among the faculty of the  Cave Canem Foundation for young African American poets.  Marilyn Nelson’s literary manuscripts, letters, photographs and publications are being preserved and made accessible at the University of Connecticut in Archives and Special Collections.

 

Worth by Marilyn Nelson

 

Source: Poetry Magazine, September 2005, p. 403 and available online at http://www.poetryfoundation.org/poetrymagazine/browse/186/5#!/20607120.

 

 

2016 Events Spring Into View

edicionesvigiaArchives and Special Collections is excited to announce its preliminary schedule of programs and events for Spring 2016.  In the months and weeks ahead, handmade books, photographs, and rarely-displayed visual materials highlighting artists and artwork found in Archives and Special Collections will be featured in a series of exhibitions in the Thomas J. Dodd Research Center and Homer Babbidge Library.  Below is a list of exhibitions and events coming your way.  All are free and open to the public.

Flight by Force or Free Will (exhibition)
On view: 1 January – 26 February, 2016
Gallery: Thomas J. Dodd Research Center Gallery, UConn
Curator: Graham Stinnett, Archivist for Human Rights and Alternative Press Collections

Migration has occurred throughout human history.  The fluctuations of population from one geographic location to the next has occurred in times of tragedy, opportunity and emergency; by flight, by force and free will.  This exhibition highlights selections from Archives & Special Collections about expressions of displacement, forced migration, coercive settlement, asylum under the state and the globalization of refuge-seeking.  Prints, illustrations, pamphlets, artists books, multimedia, and photographs from the Human Rights Internet Collection, Mia Farrow Collection, University of Connecticut Films Collection, International Rescue Committee, (Central America) Records, Eric Reeves Papers, and Artist’s Book Collection, are represented.

Of Mice and Men: Emerging Infectious Disease in a Warmer, More Fragmented World” (Lecture, Teale Lecture Series)
Date: 4 February 2016, 4:00 PM
Location: Konover Auditorium, Thomas J. Dodd Research Center, UConn
Speaker: Rick Ostfeld, Senior Scientist, Cary Institute of Ecosystem Studies, Millbrook, New York

Exhibition prepared by Guest Curator Elizabeth Barbeau (title forthcoming)
On view: 7 March – 13 May 2016
Gallery: Thomas J. Dodd Research Center Gallery, UConn

Cyborgology: Female Automata and Science Fiction (tent. title) (exhibition)
On view: 1 March – 29 April 2016
Gallery: John P. McDonald Reading Room, Archives and Special Collections, Thomas J. Dodd Research Center, UConn
Curator: Giorgina Paiella

Comedy, Economics, and Climate Change” (Lecture, Teale Lecture Series)
Date: 3 March 2016
Location: Konover Auditorium, Thomas J. Dodd Research Center
Speaker: Yoram Bauman, Author, “standupeconomist,” and carbon tax activist

Cuban Bricolage: The Artists’ Books of Ediciones Vigía /
Bricolaje Cubano: Los libros artesanales de Ediciones Vígia (exhibition)
On view: 21 March – 21 May 2016
Gallery: Homer Babbidge Library, UConn
Curator: Marisol Ramos, Librarian for Latin American and Caribbean Studies, Latino Studies, Spanish, and Anthropology

 

‘Slow Violence, Environmental Activism, and the Arts’: Teale Lecture happening today

nixonToday November 19 at 4:00pm in UConn’s Konover Auditorium, the Edwin Way Teale Lecture Series on Nature and the Environment presents Dr. Robert Nixon, The Thomas A. and Currie C. Barron Family Professor in Humanities and the Environment at Princeton University.

Dr. Nixon will explore the imaginative and political challenges posed by slow violence, by the incremental casualties that shadow our most pressing environmental crises. His talk will focus on activists and artists who are responding with an urgent creativity to the challenge of representing unspectacular environmental violence in a spectacle-obsessed age.

A frequent contributor to the New York Times, Dr. Nixon’s writing has also appeared in The New Yorker, Atlantic Monthly, London Review of Books, The Nation, The Guardian, and Outside.  His book Slow Violence and the Environmentalism of the Poor has received several awards since its publication in 2011, including American Book Award, the 2012 Sprout prize from the International Studies Association for the best book in environmental studies, the 2012 Interdisciplinary Humanities Award for the best book to straddle disciplines in the humanities; and the 2013 biennial ASLE Award for the best book in environmental literary studies.

Co-sponsored by UConn’s Teale Series, Junior Faculty Forum of the Humanities Institute, and the Dodd Research Center, the event is free and open to the public.  

Since 1995, UConn presents the award-winning Edwin Way Teale Lecture Series that brings distinguished speakers to the University to speak in public lectures on various aspects of nature and the environment.  The Lecture Series is named in honor of the Pulitzer-prize winning naturalist and author, Edwin Way Teale, whose vast archive of literary manuscripts, letters, diaries and photographs is preserved and accessible at UConn’s Archives and Special Collections.

Semiotics in the archives: Reflections on ‘Eviction and the Archive’ by scholar Daniel Nemser

image of front cover of Book written by the architect Lucas Cintora defending his work at the Lonja de Sevilla which will housed the new Archivo General de Sevilla.

Book written by the architect Lucas Cintora defending his work at the Lonja de Sevilla which would later housed the new Archivo General de Sevilla.

“Until then I had thought each book spoke of the things, human or divine, that lie outside books. Now I realized that not infrequently books speak of books: it is as if they spoke among themselves. In the light of this reflection, the library seemed all the more disturbing to me. It was then the place of a long, centuries-old murmuring, an imperceptible dialogue between one parchment and another, a living thing, a receptacle of powers not to be ruled by a human mind, a treasure of secrets emanated by many minds, surviving the death of those who had produced them or had been their conveyors.” ― Umberto Eco, The Name of the Rose.

Today’s story is not about books talking about books necessarily but of a book talking about archives and their buildings, and the rationale, in this particular story, to evict people from a building to replace them with books and records in the name of history and imperial memory. In a way you can say that this is story of semiotics of archives, signs and meanings found in an article talking about a book talking about an archive to be born…

As I said in a previous post, it is valuable to hear from our researchers and to learn about how they used our archival materials in their work. Professor Daniel Nemser contacted me in April 2014 asking for access to one of our rare books titled, Justa repulsa de ignorantes y de émulos malignos: Carta apologético-crítica en que se vindica la obra que se está haciendo en la Lonja de Sevilla (1) written by the architect Lucas Cintora in 1786. Prof. Nemser needed to consult the piece for a scholarly article he was writing. As far as we know, there are two known copies in the world, one located at the University of Seville’s library and the other at the Archives and Special Collections here at UConn Storrs (2). Prof. Nemser was able to visit us last May 2014 to consult the book and last September 2015 he contacted me to let me know that his article, “Eviction and the archive: materials for an archaeology of the Archivo General de Indias” was published in Journal of Spanish Cultural Studies that month.

I was immediately intrigued and enchanted by the title of the article. It is not common to see literature scholars studying archives and their place in history. But this article delved into the history of the establishment of one of the most important archives ever created – an archive which documents “four centuries of Spanish colonial rule” and is considered the “first modern archives in Spain and one of the first in Europe” (page 131), el Archivo General de las Indias.

The article documented how a particular building known as La Casa Lonja de Mercaderes in Sevilla, designed by architect Juan de Herrera, a magnificent building to house the Consulado de Mercaderes (the city merchant guild), was repurposed to become the Archivo General de las Indias. After the construction “la Lonja”, the guild moved their office to the city of Cádiz and the building was abandoned, but right after people of poor means moved in and occupied the upper levels. The article explored how the founding of the archive, the eviction of its inhabitants and the modifications to the original building were part of an Enlightenment project by the Spanish crown to create a “modern archive” that justified their imperial project. Prof. Nemser explained that “the materiality of the archive itself would tell an epic tale about Spain’s colonial achievements and highlight the value of its ongoing colonial enterprise” (page 136).

The rare text from our collection was key to Prof. Nemser’s argument that the modifications of the original building by architect Lucas Cintora served to reshape the building’s functionality to conform to this enlightenment project. The modifications also represented a break with the past and the embrace of a new future, one that emphasized the importance of the Spanish empire and its validity to rule its colonies in the Americas. Prof. Nemser explained:

Since each type of building has a specific function and as such requires different formal characteristics, it will be necessary to “destroy” – Cintora does not pull his punches here – any elements of the original that are contrary to this new purpose. Of primary importance for an archive, he argued, was an open layout with what he called a “diaphanous” character. This was especially the case for an Enlightenment project such as the AGI [Archivo General de Indias], and as such it is understandable that the metaphor of light runs through much of the writing about the archive. In the structural transformation of the building, however, this metaphor takes on an architectural dimension: the need for light, clarity and transparency was precisely why the separation walls [inside the Lonja] had to be demolished (136).

As an archivist, it was fascinating to discover through the work of this scholar that Archives and Special Collections had a text in its collection that sheds light on the colonialistic root of the AGI. Prof. Nemser’s research left me pondering about the origins of other archival institutions, including our own. As Umberto Eco deftly explained in his novel The Name of the Rose, archives and libraries’ books are full of signs and meanings in constant dialogue with each others through the eyes of its readers.

We are honored and delighted to have facilitated Prof. Nemser’s research and to learn more about the complex history of archives.

 

Notes:

1: We recently digitized this book and now it is available at the Connecticut Digital Archive.

2: From the article, “According to Humanes Bustamante, 200 copies of Cintora’s book were printed but later withdrawn and destroyed (339n11). However, at least two copies remain. Zerner has analyzed a copy held at the AGI, while the copy I consulted is located at the Thomas J. Dodd Research Center at the University of Connecticut. I am grateful to Marisol Ramos for her assistance.”

Armistice Day 1945 [70 Years After Nuremberg] | Human Rights Archives

blog_11111945-300x96“This is Armistice Day–and I suppose a holiday at home. The first peace-time Armistice day in a long time. Here it is another day–another mark on the calendar.” [p. 192, 11/11/1945]

Tom Dodd spent the holiday working in an effort to “hasten these proceedings along” rather than sitting out in the cold watching two service teams play football. [p.192] The middle weeks of November saw regular clashes between General Donovan and Robert Jackson regarding the best way to present and try the case–Donovan preferring to emphasize witnesses and Jackson documents. Dodd felt caught in the middle. He liked both men and understood their individual perspectives while trying to stay out of the fray.  Continue reading …

 

Human Rights Photographer’s Collection Donated to UConn

by Suzanne Zack, University Libraries, for UConn Today

RomanoChildLaborersPickCoffeeOnACoffeePlantationThe late U. Roberto (Robin) Romano was an accomplished photographer, award-winning filmmaker, and human rights advocate who unflinchingly focused his eye and lens on children around the world, capturing the violation of their rights.

Since 2009, Romano had made a limited number of his images available to researchers through the UConn Libraries’ Archives & Special Collections. Now, two years after his death, his total body of work, including video tape masters and digital video files, hundreds of interviews, thousands of digital photos and prints, plus his research files have been given to UConn and will now be available to those who examine human rights issues.

More than 100 of Romano’s images of child labor originally exhibited at the UConn’s William Benton Museum of Fine Art in 2006 are available online from the University Archives & Special Collections. These are the first of the more than 130,000 still images that will be available online for research and educational use once the collection is processed. The Archives & Special Collections plans to digitize the entire collection of analog still images, negatives, and research files, creating an unprecedented online resource relating to documentary journalism, child labor and human rights, and other social issues that Romano documented during his lifetime.  Continue reading…