Braving a New England snowstorm yesterday, Chris Lynch, Brendan Kiely, and Jason Reynolds visited the new UConn Co-op Bookstore in Storrs Center.


Braving a New England snowstorm yesterday, Chris Lynch, Brendan Kiely, and Jason Reynolds visited the new UConn Co-op Bookstore in Storrs Center.
…from the football coaches of 1934!
In 1934, Connecticut State College welcomed J. O. Christian as the new football coach. The team was small and it’s record unremarkable. The Nutmeg [yearbook] saw hope for for the struggling team and its new coach which saw a string of losses but still fighting to win with no serious injuries. The season ended with only one win (against Coast Guard) and the now infamous ram-napping of the Rhody Ram (URI mascot)! Although unidentified in the photograph, the Nutmeg identifies four coaches and a manager in the team photograph–Coaches Fisher, Christian, Moore, and Heldman and Manager Gilman can be seen on page 190 of the 1935 issue of the Nutmeg (http://doddcenter.uconn.edu/asc/collections/nutmeg/1935.pdf).
December 31, 1968, is known as the last day of the almost 100 year reign of the New York, New Haven & Hartford Railroad as the predominant railroad system in southern New England. Formed in 1872 from the merger of the New York & New Haven Railroad and the Hartford & New Haven Railroad, the New York, New Haven & Hartford Railroad, better known as the New Haven Railroad, proceeded to amass virtually every other railroad line in the region. In its time the company had more of its share of trials — train wrecks, hostile takeovers, bankruptcies and scandals — but always endured, if not flourished. In 1961 the company was taken over by a board of trustees who prepared it for its end by abandoning branch lines and selling off much of its property, and on January 1, 1969, what was once a glorious engine of innovation and the driver of the New England’s industrial success in the late 19th and early 20th centuries was added, begrudgingly, to the new Penn Central Company.
Above is a letter written on December 31, 1968, to employees of the New Haven Railroad, thanking them for their service. Below is a letter written January 1, 1969, to those same employees who now answered to Penn Central.
Letter written January 1, 1969, to Penn Central employees who previously worked for the New Haven Railroad
More information about the New Haven Railroad can be found in the finding aid to the company’s corporate records at http://doddcenter.uconn.edu/asc/findaids/NHRR/MSS19910009.html and at the Railroad History Archive site at http://railroads.uconn.edu/
In conjunction with the Dodd Center, the Archives & Special Collections has acquired NYC artist Seth Tobocman’s The World Is Being Ripped, a series of 14 narrative posters. This limited edition is the last spray art version which Tobocman released, making its unique street art aesthetic a historical document of design and propaganda. These stenciled graphics were originally created in the early 1980s to critique the militaristic individualism of the American Cold War economy and its impact on society:
The World is Being Ripped was originally a response to the Cold War, but it came to address a larger question: In a society as predatory and self destructive as this one, can there be any basis for morality? Is ethical behavior even possible in such a context? I like to think that in adopting these images as their emblems, people are answering that question in the affirmative.
– Seth Tobocman
The stencil art form was created to be an accessible, reproducible, inexpensive and temporary demonstration of design and often political critique or message. This collection provides a unique glimpse of street art yet intended for the gallery with its rich use of color and linear narrative. To see this collection in the reading room, contact the curator of Alternative Press Collections.
Cynthia’s new work, Mi Familia Calaca/My Skeleton Family was published by Cinco Puntos Press of El Pasa, Texas, in English and Spanish. “In Mexico, the skeleton is a beloved and humorous figure. Its origins go back to pre-Columbian times.” (jacket). The papier-mâché skeletons used for the illustrations were created by Jesus Canseco Zarate, a young artist known as Chucho, from Oaxaca City, Mexico. Chucho won a six-month scholarship to the art school Taller Rufino Tamayo, where he honed his skills in painting his figures and giving them more movement. The story is told by Anita, who introduces each family member, from her “bratty” brother to her great-grandmother with her walker, not forgetting the pets. Congratulations, Cynthia and Chucho!
[slideshow_deploy id=’4191′]
Kwanzaa, first celebrated in 1966-1967 and founded by Maulana Karenga, is a week-long celebration held in the United States, as well as other regions of the Americas. The celebration honors African heritage in African-American culture, and is observed from December 26 to January 1, culminating in a feast and gift-giving. On campus, Kwanzaa observances have been led by the African-American Cultural Center before students leave at the end of the fall semester.
I’d like to return to the diary of Ann Winchester in my final blog post of the series. In the 1940s, UConn final exams took place during the final week of January, several weeks after students returned from their holiday break. Ann’s feelings toward her final exams vaguely resemble my own:
January 25: Got up at 6:30 to study bac[teriology] but couldn’t take much of it (had gone stale). Final was at 8:30 I thought it was easy. Lab final was at 11:00 – it was a practical and rather hard…Studied psych again tonite but not too enthusiastically.
Ann’s exam week ended five days later after suffering through a “stinking, unfair” Education exam.
Though I’ve spent the semester reading and writing about various different journals, I’ve occasionally returned to Ann’s because her entries are so relatable. Though practical details of life at UConn in the 1940s are very different from the realities of modern life, the experience of being a student here remains the same in many ways. This semester, I reviewed four diaries, each unique in their description and purpose: there was the daily chronicling of Ann, the chatty 1940s UConn co-ed reflecting on her present, past, and future; the superficial impressions recorded by Mr. Dean Walker, a 19th-century bourgeois American traveler making his way through Europe for the first time; the shared sentiments of friendship collected by Mary Clark, a young lady from Massachusetts ostensibly preparing to depart for school; and the four-year attempt made by Sherwood Ransom, a working-class seamen in the New London whaling industry, to maintain some semblance of privacy while living and working intensely in the same, shared space.
My goal in researching each of these diaries was to understand the reasons why people have written diaries now and in the past. I wanted to challenge the oft-repeated contemporary assumption that a diary is simply a place for superficial, personal reflection. This assumption can hurt our understanding of diaries as historical objects and sources, and it obscures our understanding of the various reasons why people committed their thoughts to paper.
So why do we write diaries? The answer ultimately hinges on the writer and the context of their world. But there are similarities between all four of these that gets us closer to a more general answer: we write journals to disclose, to reflect, to collect objects and thoughts of importance, and to pass the time.
Still – there are at least a dozen more journals in this collection that I did not read, which means there may also be at least a dozen more answers to this question. Writing is always situational. We learn the purpose of a diary to its writer by reading its contents, not by assuming that its “personal” nature gives it a universal purpose.
And as for my own writing? My interest in keeping a journal relates to something author Joan Didion wrote about her own journal-writing tendencies: “My stake is always, of course, in the unmentioned girl in the plaid silk dress. Remember what it was to be me: that is always the point.”
Rebecca D’Angelo is a senior undergraduate student in History and Anthropology. For her blog series For Private Eyes Only she spent the Fall Semester studying diaries available in Archives and Special Collections at the Dodd Research Center and exploring the history of journal writing and reasons why we write journals.
Caroling through neighborhoods, town greens and even shopping malls is a well recognized tradition frequently associated with tree and house decorating, cookie baking and travel plans throughout the Christmas season. Students over the years have observed holiday traditions while taking a break from their studies. At the Ona Wilcox College of Nursing in Middletown, Connecticut, the student nurses gathered to sing carols to the patients under their care in December.
Best wishes for a melodic holiday season!
In February of 1845, Sherwood B. Ransom of East Haddam, CT visited the Island of Otaheite (Tahiti) in the Northern Pacific Ocean for his second time in two years. At the time, Ransom was sailing as a crew member aboard the Morrison, a whaling ship bound from New London, CT on what would become a lengthy cruise for whales through the Indian and Northern Pacific Oceans.
At Otaheite, Ransom was greeted by a pleasant surprise: here, he reunited with “Henry and Lyman,” two friends from home. Henry, probably Henry C. Griffens of East Haddam, had sailed with Ransom on a previous whaling voyage in 1842 aboard the New London ship Indian Chief, when Ransom made his first visit to Otaheite. “Lyman” (William Lyman Cole of East Haddam) was a “green hand,” or first time whaler. Ransom writes the following about his encounter with his friends:
got into the harbour about Eight[.] found three New London Ships there the India, Jefferson, and Neptune[.] went aboard of the Nep. Saw Henry and Lyman, found them well…came aboard about dark and started for the Sandwich Islands…Lyman likes whaling first rate[.] we had a first rate visit[.] I took dinner with them, and shall see them at the S. [Sandwich] Islands again.
This run-in with friends, though rare, but not unlikely, with so many New London ships at sea following similar voyage paths in the 1840s.
Opening page of Sherwood Ransom’s journal. The whale stamps at the top were typically used in whaling logbooks to provide a visual record of the number and type of whales caught.
I was over the moon when I saw that the diary collection in Archives and Special Collections at the Dodd Research Center included a whaling diary from a New London ship. In my other life as a student, I am researching the history of New London-based whaling in the southern Indian Ocean for my University Scholar project. During the nineteenth century, New London, CT became the second largest whaling port in the nation (New Bedford was the largest), employing men to sail throughout the Atlantic, and later the Pacific and Indian oceans in search of whales to kill for their blubber. When boiled, the blubber became oil that was used for lighting and as an industrial lubricant.
The Morrison’s journey lasted a total of four years (September 1844 – May 1848), but the majority of Ransom’s diary is composed of daily entries from 1844 and 1845, with a few entries penned in 1847. Ransom served as a boatsteerer on this voyage, a “promotion” from his previous work on the Indian Chief. Though not quite an officer, boatsteerers commanded authority on whaleships, different from regular crewmen in that they were hired for their specialized ability to harpoon whales and to steer the small “whaleboats” deployed from the main ship from which the whalemen hunted whales.
For Ransom, writing in a journal seems to have been both a refuge from the claustrophobic realities of whaling life as well as a way to pass the time. The majority of working time during a whaling voyage was spent performing mundane, shipboard duties or boiling blubber on a ship’s “tryworks” until a lookout sighted whales to hunt. In between, there was plenty of time to write. That being said, with the routine of the ship always contingent on the whims of nature (the availability of whales or changing wind patterns that made it necessary to adjust the sails) leisure time could easily transform into work time.
The lack of distinction between work and leisure is clearly evident in Ransom’s journal, with daily entries including both personal details and descriptions of routine shipboard work. “No[t] all hands to day and not much doing except two hours scrubbing decks and two spells setting up some of the head gear” he writes on September 22 (1844). “[H]ave had a good wash and shave and feel much revived after the operation. Stiff breeze as yesterday.” A report on the direction and strength of the wind is included in each of Ransom’s entries.
Ransom also scribbles details about latitude and longitude, as well as any whales captured on a given day in the margins of his journal. These details, normally committed to official ship’s logbooks, suggest that Ransom was understandably doing a bit of unofficial record-keeping himself. With the ship being both his workplace and his home, details that were important to the ship’s work became important to him; they determined his routine, his fatigue, and his happiness on any given day.
The regular timing of Ransom’s journaling suggests that writing became part of his shipboard routine, but was uniquely one of the only activities that afforded him a sense of privacy and security. The sense of refuge gained from writing in his journal is indicated by Ransom’s use of the diary to disclose intimate concerns. His entry from New Year’s Day 1845 reveals his feelings about missing home and family:
This is the first day of the year[.] how I wish I was at home to enjoy it by meeting in the social circle of young friends and to greet them a Happy New Year. But fate was so ordered that this poor devil is to be here in the ship Morrison many thousand miles from home and friends[,] though not friendless I hope and if my life is spared will be here twelve months from this. I have thought of home much to day, and of the past summer which I spent in East Haddam and how differently I am situated from what I was then.
However, the refuge provided by writing was only temporary; the intrusion of life at sea is continuously present. A page, smeared with ink includes the following note: “While I have been writing the foolish old ship gave a lee lurch and capsized. My ink on my book and has made a pretty spot so I think I will below and wait for better weather.”
As the voyage progressed, Ransom used his diary to voice frustrations about the officers on board, notably Captain Samuel Green. He writes the following after Green scolds him for an unsuccessful whale hunt:
Friday 25th [May 1845]: …I darted at him [the whale] but did not get fast and off he went as if the Devil was after him[.] came aboard and the old man [Capt. Green] was savage Enough but who cares for his lip[?] I do not[.] if he does not like my boat steering he can get some one else and I shall tell him so if he says anything more on the subject.
It is likely that writing these frustrations in a diary was the only way that Ransom could safely voice them without running the risk of being overheard, which would have resulted in him “catching it,” or being punished, by one of the officers.
At one point in 1845, Ransom, fed up with his captain, work, abysmal living conditions, and the inexperienced “fools” who were his fellow crewmen, threatens to abandon the operation altogether: “..[I]f ever I get into a good port,” writes Ransom, “I shall ask him [Captain Green] for my charge and if he does not give it to me he must keep a good lookout for me[.] he is a drascal as has ever lived these are my feelings at the present.”
The lock of hair and letter of reference for George Ransom included in the back of Sherwood Ransom’s whaling journal.
Whether or not Ransom ever did abandon the voyage is unclear – his journal ends abruptly in 1847.
Though his quick promotion to a boatsteerer indicates he was a competent whaler, it seems clear that Ransom was more interested in returning to East Haddam to work and live. Close ties to home are suggested by his New Year’s lamentations and his excitement over seeing Henry and Lyman at Otaheite, but they are also a physical feature of his journal. Tucked in the back pages are military papers and a letter of reference written for his father, George Ransom, as well as a lock of hair, likely belonging to a deceased family member.
Though these were likely added by Sherwood or another family member upon his return, their presence in the journal is tantalizing and indicative of a larger trend – most whalemen did not stay in the whaling industry for all of their lives. Many worked as whalemen for only a few voyages before earning enough money to return home and start a family; it appears Sherwood did this, marrying Abbie Payne, a woman from Colchester, CT in 1851, and living out the rest of his life on land until his death in 1893.
Rebecca D’Angelo is a senior undergraduate student in History and Anthropology. In her blog series For Private Eyes Only she studies diaries available in Archives and Special Collections at the Dodd Research Center and explores the history of journal writing and reasons why we write journals.
Archives & Special Collections is pleased to announce the online availability of the papers associated with the trial of the Nazi major war criminals found in the Senator Thomas J. Dodd Papers. Formal announcement and remarks regarding the Digitization of the Nuremberg Trial Papers of Senator Thomas J. Dodd will take place on November 13, 2013, from 3:00 – 4:00 pm in the Reading Room, Dodd Research Center.
Dodd served as Executive Trial Counsel and supervisor of the U.S. prosecution team at the International Military Tribunal at Nuremberg from July 1945 through October 1946, where he shaped many of the strategies and policies through which this unprecedented trial took place. Representing a small proportion of his entire collection housed at the Archives & Special Collections at the University of Connecticut, Dodd’s Nuremberg papers contain documentation relating to the proceedings of the Nuremberg Trials that are available nowhere else, including hand annotated drafts of trial briefs and annotated translations of German documents. Found in Series VII of the Thomas J. Dodd Papers, the documents have been heavily used by scholars from around the world since they were opened to the public in 1997.
The nearly 50,000 pages of documents in the Nuremberg papers will be digitized over the next two years and made available through the Connecticut Digital Archive, a joint program of the UConn Libraries and the Connecticut State Library. Explore the Nuremberg Trial Papers at http://archives.lib.uconn.edu
This event is being held in conjunction with the award of the 6th Thomas J. Dodd Prize in Internal Justice and Human Rights to the Business and Human Rights Resource Centre, which will take place at 4:00pm in Konover Auditorium, Dodd Research Center.
The University of Connecticut community is saddened to learn of the passing of award winning photographer U. Roberto (Robin) Romano. Romano was a photographer, filmmaker and human rights educator. The son of the artist and Works Progress Administration (WPA) muralist Umberto Romano, Robin Romano was born in New York where he attended the Lycee Francais, Allen Stevenson School and Horace Mann High School. Mr. Romano graduated from Amherst College as an Interdisciplinary Scholar in 1980. Working closely with the Human Rights Institute and Archives & Special Collections, Mr. Romano began depositing his personal papers with UConn in 2008.
Romano began his career in documentaries as a producer and cameraman for Les Productions de Sagittaire in Montreal, where he worked on several series including 5 Defis and L’Oeil de L’Aigle.
His film projects include: Death of a Slave Boy, a two-hour special shot in Pakistan for European broadcast, Globalization and Human Rights hosted by Charlayne Hunter Gault for PBS, Stolen Childhoods, the first theatrically released feature documentary on global child labor, The Dark Side of Chocolate, a feature documentary on trafficking in Western Africa, and The Harvest/La Cosecha, a feature documentary on child migrant laborers in the United States for which he won the Shine Global Award. He was also a contributor to the NPR and BBC specials on slavery in the Ivory Coast and has contributed to films as diverse as In Debt We Trust and Darfur Now.
As a still photographer, his exhibition “Stolen Childhoods: the Global Plague of Child Labor,” was on view at the William Benton Museum of Fine Art at the University of Connecticut in 2006. He has been the photographer for Rugmark, a foundation working to end illegal child labor in the carpet industry) and to offer educational opportunities to children in South Asia, as well as GoodWeave (the iconic photos of child rug weavers in Nepal. Additionally, Romano created the mural and poster for the Council on Foreign Relations announcing their universal education campaign. Other organizations that have used his work include Human Rights Watch, Amnesty International, Free the Slaves, The International Labor Organization, Stop the Traffik, The Hunger Project, International Labor Rights Forum, The Farm Labor Organizing Committee and Antislavery International. His work has appeared in such publications as The Ford Foundation Quarterly, The Stanford Review, Scholastic, and UConn Magazine, and has been seen on billboards and posters around the world. Romano has appeared as a guest on Nightline with Ted Koppel as well as Newsnight with Aaron Brown. He was recently active As an advocate for and an authority on children’s and human rights, Romano appeared at many forums, schools and universities. He gave the Frank Porter Graham Lecture at the Johnson Center for Academic Excellence, University of North Carolina, and the Gene and Georgia Mittelman Distinguished Lecture in the Arts at the University of Connecticut. In 2007 he was invited to give the plenary speech at the Association of Farmworker Opportunity Programs annual conference in Coeur d’Alene. He has also lectured at the Rhode Island School of Design and the Oak Institute for International Human Rights at Colby College.
Robin Romano will be greatly missed by all those he has touched at UConn.
(Images from the Robin Romano Papers, used with permission.)