{"id":5247,"date":"2015-03-02T16:31:52","date_gmt":"2015-03-02T16:31:52","guid":{"rendered":"https:\/\/blogs-dev.lib.uconn.edu\/archives\/?p=5247"},"modified":"2015-03-02T17:12:44","modified_gmt":"2015-03-02T17:12:44","slug":"archives-in-action-ragtime-minstrelsy-and-illustrated-sheet-music","status":"publish","type":"post","link":"https:\/\/blogs-dev.lib.uconn.edu\/archives\/2015\/03\/02\/archives-in-action-ragtime-minstrelsy-and-illustrated-sheet-music\/","title":{"rendered":"Archives in Action: Ragtime, Minstrelsy, and Illustrated Sheet Music"},"content":{"rendered":"<p><a href=\"https:\/\/blogs-dev.lib.uconn.edu\/archives\/files\/2015\/03\/minstrel4.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-medium wp-image-5249\" src=\"https:\/\/blogs-dev.lib.uconn.edu\/archives\/files\/2015\/03\/minstrel4-224x300.jpg\" alt=\"minstrel4\" width=\"224\" height=\"300\" srcset=\"https:\/\/blogs-dev.lib.uconn.edu\/archives\/files\/2015\/03\/minstrel4-224x300.jpg 224w, https:\/\/blogs-dev.lib.uconn.edu\/archives\/files\/2015\/03\/minstrel4.jpg 412w\" sizes=\"(max-width: 224px) 100vw, 224px\" \/><\/a>How was popular music in the late-19<sup>th<\/sup> and early-20<sup>th<\/sup> centuries distributed and heard?\u00a0 Prior to the advent of the home radio, music was performed at home or in public spaces and songs were published and distributed in the form of sheet music.\u00a0 In 1870, 1 out of every 1,540 Americans bought a new piano; in 1890, 1 out of every 874; and in 1910, 1 out of every 252, according to Nicholas Tawa in his book <em>The Way to Tin Pan Alley: American Popular Song, 1866-1910. <\/em>\u00a0By the turn of the century, music publishers began to distinguish themselves.\u00a0 And if you wanted to hear music, you had to make it yourself.<\/p>\n<p><a href=\"https:\/\/blogs-dev.lib.uconn.edu\/archives\/files\/2015\/03\/classimage.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignright size-medium wp-image-5248\" src=\"https:\/\/blogs-dev.lib.uconn.edu\/archives\/files\/2015\/03\/classimage-300x225.jpg\" alt=\"classimage\" width=\"300\" height=\"225\" srcset=\"https:\/\/blogs-dev.lib.uconn.edu\/archives\/files\/2015\/03\/classimage-300x225.jpg 300w, https:\/\/blogs-dev.lib.uconn.edu\/archives\/files\/2015\/03\/classimage-399x300.jpg 399w, https:\/\/blogs-dev.lib.uconn.edu\/archives\/files\/2015\/03\/classimage.jpg 710w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a>Students in Professor Robert Stephens\u2019 course <strong>Afrocentric Perspectives in the Arts<\/strong> gathered in Archives and Special Collections for the opportunity to view and explore illustrated sheet music from the <a href=\"http:\/\/doddcenter.uconn.edu\/asc\/findaids\/charters\/MSS20000105.html\" target=\"_blank\">Samuel Charters Archives of Blues and Vernacular African American Music<\/a>. \u00a0Archivist Kristin Eshelman presented students with examples of published sheet music popular in the 1890s, ragtime music.\u00a0 Ragtime, a style of piano music, is characterized by a steady, regular bass line and an irregular or \u201cragged\u201d melody.\u00a0 One of the most famous ragtime pieces, which nearly all of the students recognized immediately upon hearing it, is Scott Joplin\u2019s \u201c<a href=\"http:\/\/en.wikipedia.org\/wiki\/File:Maple_Leaf_RagQ.ogg\" target=\"_blank\">Maple Leaf Rag<\/a>\u201d. \u00a0Many of the ragtime recordings in the Charters Archive are from concerts, conventions, and meetings hosted by the Maple Leaf Club.<\/p>\n<p><a href=\"https:\/\/blogs-dev.lib.uconn.edu\/archives\/files\/2015\/03\/minstrel1.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-medium wp-image-5250\" src=\"https:\/\/blogs-dev.lib.uconn.edu\/archives\/files\/2015\/03\/minstrel1-300x221.jpg\" alt=\"minstrel1\" width=\"300\" height=\"221\" srcset=\"https:\/\/blogs-dev.lib.uconn.edu\/archives\/files\/2015\/03\/minstrel1-300x221.jpg 300w, https:\/\/blogs-dev.lib.uconn.edu\/archives\/files\/2015\/03\/minstrel1-405x300.jpg 405w, https:\/\/blogs-dev.lib.uconn.edu\/archives\/files\/2015\/03\/minstrel1.jpg 580w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a>In her presentation to the class, Kristin referred to\u00a0the role of minstrel shows in the dispersal and popularization of music from the 1840\u2019s to the early 1900\u2019s.\u00a0 As depicted in the Ken Burns film <em>Jazz. Episode One, Gumbo<\/em> (writer, Geoffrey C. Ward), \u201cthese shows served to codify the first body of popular American music and culture through performances all over the country.\u201d\u00a0 The standard minstrel show included three parts: \u201cthe walkaround,\u201d the \u201ccakewalk,\u201d and \u201cthe olio,\u201d a variety segment including singing and dancing, novelty acts and a stump speech (Strausbaugh, <em>Black Like You: Blackface, Whiteface, Insult and Imitation in American Popular Culture<\/em>). Early minstrel shows were put on by white men in blackface and, later, black men pretending to be white men in blackface; the shows were evidence of a time where black and white Americans were constantly interpreting and misinterpreting one another.<\/p>\n<p>The illustrations on the covers of the sheet music functioned much like a book cover &#8211; to draw attention to the piece and entice the viewer to purchase the music.\u00a0 As they <a href=\"https:\/\/blogs-dev.lib.uconn.edu\/archives\/files\/2015\/03\/minstrel2.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignright size-medium wp-image-5251\" src=\"https:\/\/blogs-dev.lib.uconn.edu\/archives\/files\/2015\/03\/minstrel2-225x300.jpg\" alt=\"minstrel2\" width=\"225\" height=\"300\" srcset=\"https:\/\/blogs-dev.lib.uconn.edu\/archives\/files\/2015\/03\/minstrel2-225x300.jpg 225w, https:\/\/blogs-dev.lib.uconn.edu\/archives\/files\/2015\/03\/minstrel2.jpg 411w\" sizes=\"(max-width: 225px) 100vw, 225px\" \/><\/a>examined the material, students began to key-in on the visual imagery.\u00a0 What is immediately apparent to the modern viewer is the prominence physical and racial stereotypes that exoticize and exaggerate aspects of essentially all non-white races.<\/p>\n<p>Teaching assistant Marisely Gonzalez asked students to analyze the imagery, composition, content and song titles on the sheet music that were used to promote minstrel shows and ragtime music, and to compare the sheet music with an art piece from the 21<sup>st<\/sup> century, in either visual arts, film, theater, music or dance, by an <img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-medium wp-image-5254\" src=\"https:\/\/blogs-dev.lib.uconn.edu\/archives\/files\/2015\/03\/minstrel3-260x300.jpg\" alt=\"minstrel3\" width=\"260\" height=\"300\" srcset=\"https:\/\/blogs-dev.lib.uconn.edu\/archives\/files\/2015\/03\/minstrel3-260x300.jpg 260w, https:\/\/blogs-dev.lib.uconn.edu\/archives\/files\/2015\/03\/minstrel3.jpg 478w\" sizes=\"(max-width: 260px) 100vw, 260px\" \/>African American artist. \u00a0What is the artist trying to communicate? She then asked students to discuss the historical context of both\u00a0pieces and respond in an essay paper to the questions: what was the cultural meaning and significance of each piece?\u00a0 Did it provoke a public response then, and does it do so today?\u00a0 In March, students will present their theses and images from the assignment in class.<\/p>\n<p><em style=\"color: #373737\"><strong>Archives in Action<\/strong>\u00a0highlights how archives are being used today. Series author Lauren Silverio is an English and Psychology major and student employee in Archives and Special Collections.<\/em><\/p>\n<!-- AddThis Advanced Settings generic via filter on the_content --><!-- AddThis Share Buttons generic via filter on the_content -->","protected":false},"excerpt":{"rendered":"<p>How was popular music in the late-19th and early-20th centuries distributed and heard?\u00a0 Prior to the advent of the home radio, music was performed at home or in public spaces and songs were published and distributed in the form of &hellip; <a href=\"https:\/\/blogs-dev.lib.uconn.edu\/archives\/2015\/03\/02\/archives-in-action-ragtime-minstrelsy-and-illustrated-sheet-music\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><!-- AddThis Advanced Settings generic via filter on get_the_excerpt --><!-- AddThis Share Buttons generic via filter on get_the_excerpt --><\/p>\n","protected":false},"author":48,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[253,9],"tags":[],"_links":{"self":[{"href":"https:\/\/blogs-dev.lib.uconn.edu\/archives\/wp-json\/wp\/v2\/posts\/5247"}],"collection":[{"href":"https:\/\/blogs-dev.lib.uconn.edu\/archives\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs-dev.lib.uconn.edu\/archives\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogs-dev.lib.uconn.edu\/archives\/wp-json\/wp\/v2\/users\/48"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs-dev.lib.uconn.edu\/archives\/wp-json\/wp\/v2\/comments?post=5247"}],"version-history":[{"count":5,"href":"https:\/\/blogs-dev.lib.uconn.edu\/archives\/wp-json\/wp\/v2\/posts\/5247\/revisions"}],"predecessor-version":[{"id":5261,"href":"https:\/\/blogs-dev.lib.uconn.edu\/archives\/wp-json\/wp\/v2\/posts\/5247\/revisions\/5261"}],"wp:attachment":[{"href":"https:\/\/blogs-dev.lib.uconn.edu\/archives\/wp-json\/wp\/v2\/media?parent=5247"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs-dev.lib.uconn.edu\/archives\/wp-json\/wp\/v2\/categories?post=5247"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs-dev.lib.uconn.edu\/archives\/wp-json\/wp\/v2\/tags?post=5247"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}